Dear friends, it is often enough (you will surely concede) that I share my enthusiasms with you, so I hope you'll be tolerant if for once I inflict upon you an account of an exceedingly bad cultural experience. This was the attendance of WotN and myself at a gig by Kris Kristofferson the night before last. Now, there are going to be some out there nodding in a superior way and saying 'What the hell do you expect if you go and see him?' I know. I know. I thought it might be a dodgy decision from the off, and I'm even a little shamefaced at having to tell you that I was there. But I can't describe the experience without letting on that I was, so as someone once put this, What is to be done? I confess. I went. Boy, was it bad.
I've been to musical events before which didn't grab me. There was, at the MEN Arena some years ago, a double-header of Lyle Lovett and Mary Chapin Carpenter, in that order. Lyle Lovett is hall-of-fame great, and that night he didn't disappoint. His part of the show was outstanding, sensational. Don't ever miss the chance. Mary Chapin Carpenter, who has a following and popularity I've never been able to fathom, was by contrast a tunefully worthy dollop of soft dough, and me and WotN were out of there maybe a quarter of the way into her act, so as not to lose the after-sense of the Lyle Lovett first half. I've had a few other such disappointments.
However, never before anything as toe-curlingly awful as Kristofferson was on Monday. Why we were there was, I suppose, because of this album, with 'For The Good Times', 'Help Me Make It Through The Night', 'Me And Bobby McGee'... that sort of thing. So what went wrong? The essence of it was that the guy, to my ear, has lost it. Even his best songs were performed in a ponderous, glompy way - both the singing and the playing - so that it sounded as if you were hearing it under water. Though there were a couple of high points - correction, higher points - when he sang two songs new to me and with a bit of pzazz, the overall consistency was the ponderous, glompy one. Nothing could have redeemed it. On that account, a less than successful outing. But there were other elements that made it worse than that. First, Kris K has evidently now got religion, and although this in itself points in no particular direction from a musical point of view (think J.S. Bach, think some very fine country music songs), he sang one or two truly mawkish, finding-his-way-to-Jesus numbers. He sang equally mawkish stuff about his children, and he did what I've never before seen a professional, particularly not a veteran as he now is, do on stage: he tried to ingratiate himself with his audience by saying how badly he wanted to perform well tonight, and how nervous he was in case he performed badly; and... do me a favour, how bloody wet can you get? Add to this that we had Emma Emphysema sitting a few rows back from us and periodically letting out a long, rolling, phlegmy, from-the-bottom-of-her-guts cough, sounding like, but not actually, her last; and that, for reasons which escape me, a significant section of the audience, which didn't seem to be especially Jewish, treated the venue and the gig the way that El Al passengers typically treat a flight, wandering volubly backwards and forwards, to the loos, from the loos, standing around kibbitzing loudly about this and that... believe me, people, you didn't want to be there. To cap it all, Kristofferson was on the 'right' side, the right-on side, on the great issue of the day. He let us know it - in two songs. The second of them, during his encore, drove Adèle and me out into the Manchester night, tottering, ashamed, feeling strangely unclean.