Criticism not necessarily anti-Semitic

Tom Gross reports in the Wall Street Journal (subscription only):

A French court last week found three writers for Le Monde, as well as the newspaper's publisher, guilty of "racist defamation" against Israel and the Jewish people. In a groundbreaking decision, the Versailles court of appeal ruled that a comment piece published in Le Monde in 2002, "Israel-Palestine: The Cancer," had whipped up anti-Semitic opinion.

... Le Monde was... ordered to publish a condemnation of the article, which it has yet to do.

It is encouraging to see a French court rule that anti-Semitism should have no place in the media - even when it is masked as an analysis of the Israeli-Palestinian conflict...

Press freedom is a value to be cherished, but not exploited and abused. In general, European countries have strict laws against such abuse and Europe's mainstream media are in any case usually good at exercising self-censorship. Responsible journalists strenuously avoid libelous characterizations of entire ethnic, national or religious groups. They go out of their way, for example, to avoid suggesting that the massacres in Darfur, which are being carried out by Arab militias, in any way represent an Arab trait.

The exception to this seems to be the coverage of Jews, particularly Israeli ones. This is particularly ironic given the fact that Europe's relatively strict freedom of speech laws (compared to those in the U.S.) were to a large extent drafted as a reaction to the Continent's Nazi occupation. And yet, from Oslo to Athens, from London to Madrid, it has been virtually open season on them in the last few years, especially in supposedly liberal media.

"Israel-Palestine: The Cancer" was a nasty piece of work, replete with lies, slanders and myths about "the chosen people," "the Jenin massacre," describing the Jews as "a contemptuous people taking satisfaction in humiliating others," "imposing their unmerciful rule," and so on.

Yet it was no worse than thousands of other news reports, editorials, commentaries, letters, cartoons and headlines published throughout Europe in recent years, in the guise of legitimate and reasoned discussion of Israeli policies.

The libels and distortions about Israel in some British media are by now fairly well known: the Guardian's equation of Israel and al Qaeda; the Evening Standard's equation of Israel and the Taliban; the report by the BBC's Middle East correspondent, Orla Guerin, on how "the Israelis stole Christmas." Most notorious of all is the Independent's Middle East correspondent, Robert Fisk, who specializes in such observations as his comment that, "If ever a sword was thrust into a military alliance of East and West, the Israelis wielded that dagger," and who implies that the White House has fallen into the hands of the Jews: "The Perles and the Wolfowitzes and the Cohens...[the] very sinister people hovering around Bush."

The invective against Israel elsewhere in Europe is less well known. In Spain, for example, on June 4, 2001 (three days after a Palestinian suicide bomber killed 21 young Israelis at a disco, and wounded over 100 others, all in the midst of a unilateral Israeli ceasefire), the liberal daily Cambio 16 published a cartoon of Israeli Prime Minister Ariel Sharon (with a hook nose he does not have), wearing a skull cap (which he does not usually wear), sporting a swastika inside a star of David on his chest, and proclaiming: "At least Hitler taught me how to invade a country and destroy every living insect."

The week before, on May 23, El Pais (the "New York Times of Spain") published a cartoon of an allegorical figure carrying a small rectangular-shaped black moustache, flying through the air toward Mr. Sharon's upper lip. The caption read: "Clio, the muse of history, puts Hitler's moustache on Ariel Sharon."

Two days later, on May 25, the Catalan daily La Vanguardia published a cartoon showing an imposing building, with a sign outside reading "Museo del Holocausto Judio" (Museum of the Jewish Holocaust), and next to it another building under construction, with a large sign reading "Futuro Museo del Holocausto Palestino" (Future Museum of the Palestinian Holocaust).

Greece's largest newspaper, the leftist daily Eleftherotypia, has run several such cartoons. In April 2002, on its front cover, under the title "Holocaust II," an Israeli soldier was depicted as a Nazi officer and a Palestinian civilian as a Jewish death camp inmate...
.....
In April 2002, the Italian liberal daily La Stampa ran a front-page cartoon showing an Israeli tank, emblazoned with a Jewish star, pointing a large gun at the baby Jesus in a manger, while the baby pleads, "Surely they don't want to kill me again, do they?"
.....
If the misreporting and bias were limited to one or two newspapers or television programs in each country, it might be possible to shrug them off. But they are not. Bashing Israel even extends to local papers that don't usually cover foreign affairs, such as the double-page spread titled "Jews in jackboots" in "Luton on Sunday."...

[A]lthough the French court ruling - the first of its kind in Europe - is a major landmark, no one in France seems to care. The country's most distinguished newspaper, the paper of record, has been found guilty of anti-Semitism. One would have thought that such a verdict would prompt wide-ranging coverage and lead to extensive soul-searching and public debate. Instead, there has been almost complete silence, and virtually no coverage in the French press.

And few elsewhere will have heard about it. Reuters and Agence France Presse (agencies that have demonstrated particularly marked bias against Israel) ran short stories about the judgment in their French-language wires last week, but chose not to run them on their English news services. The Associated Press didn't run it at all. Instead of triggering the long overdue reassessment of Europe's attitude toward Israel, the media have chosen to ignore it.

Now, here's a lost perception. Who do you think this is?

[T]he award among the hundreds he claims to have touched him the most is the Beverly Hills Lodge of B'nai Brith's tribute to its "Man of the Year" in 1976.

"Even though I'm not Jewish," he explains," and even though I'm stingy with my bread, Israel is one of the few causes I feel good about supporting.

"Blacks and Jews are hooked up and bound together by a common history of persecution...

"If someone besides a black ever sings the real gut bucket blues, it'll be a Jew. We both know what it's like to be someone else's footstool."

This is who (click on 'Bio'). (Hat tip: M and L.)